Billy Joel - Overview
William Martin Joel
Contents
Billy Joel - Overview
Full Name
William Martin Joel
Nicknames
- The Piano Man
Birth Date and Place
- Born: May 9, 1949
- Birthplace: The Bronx, New York City, New York, USA
- Hometown: Hicksville, Long Island, New York
Genres
- Pop
- Rock
- Soft Rock
- Piano Rock
Years Active
1965–present
Labels
- Columbia Records
- Family Productions
- Sony Classical
Also Known As
Former member of: - The Lost Souls - The Hassles - Attila
Quick Stats
- Total Records Sold: Over 160 million worldwide
- US Album Sales: Over 82.5 million (RIAA certified)
- Billboard Hot 100 Hits: 33 Top 40 hits
- Grammy Awards: 6 wins from 23 nominations
- Concert Performances: Over 3,000 live performances
Signature Characteristics
- Known as “The Piano Man” after his breakthrough 1973 hit
- Virtuoso piano playing combined with storytelling lyrics
- Signature song cycle style with recurring characters and themes
- One of the best-selling solo artists in US history
- Fourth-best-selling solo artist in the United States
- Monthly residency at Madison Square Garden since 2014 (first music franchise in MSG history)
Billy Joel - Early Life
Childhood and Family Background
William Martin Joel was born on May 9, 1949, in the Bronx, New York City. His father, Howard Joel, was a classical pianist and businessman, while his mother, Rosalind Nyman Joel (1922–2014), was born in England to an agnostic Jewish family. When Billy was just one year old, the family moved to Hicksville in the town of Oyster Bay on Long Island, New York.
Billy grew up in a modest home similar to those in nearby Levittown, the quintessential American suburban development. His parents later adopted his cousin Judy, who became his sister. The Joel household was musical—his father was an accomplished classical pianist who had studied under the renowned Nadia Boulanger in Europe.
Musical Beginnings
Forced Piano Lessons
Joel’s mother insisted he take piano lessons, starting when he was young. While he initially resisted the structured classical training, he later credited his mother with providing his musical foundation. His father, however, showed little interest in Billy’s musical development and eventually left the family when Billy was eight years old, moving to Europe and starting a new family in Austria.
Early Musical Exploration
As a teenager, Joel explored various musical styles beyond classical training. He became interested in rock and roll, particularly after seeing The Beatles perform on The Ed Sullivan Show in 1964. This pivotal moment inspired him to pursue a career in popular music.
Early Bands (1964–1970)
The Lost Souls
Joel’s first band experience came with The Lost Souls, a local group that performed at school dances and small venues around Long Island.
The Hassles (1966–1969)
In 1966, Joel joined The Hassles, a Long Island-based rock band that had already released one album on United Artists Records. The band played a mix of blue-eyed soul and rock covers. Joel was the keyboardist and occasional vocalist. The Hassles released two albums: - The Hassles (1967) - Hour of the Wolf (1969)
Despite some regional success, the band failed to break nationally and disbanded in 1969.
Attila (1970)
Following The Hassles’ breakup, Joel and Hassles drummer Jon Small formed a heavy rock duo called Attila. The band was notable for its over-the-top organ-driven sound, with Joel playing a Hammond B-3 organ through a guitar amplifier stack. They released one self-titled album in 1970 on Epic Records.
The band and the personal relationship ended dramatically when Joel had an affair with Jon Small’s wife, Elizabeth Weber, which led to the band’s dissolution. Elizabeth later became Joel’s first wife and business manager.
Solo Career Beginnings
The Transition to Solo Artist
After Attila’s breakup, Joel spent time working various jobs, including as a piano bar lounge singer at The Executive Room in Los Angeles. This experience would later inspire his signature song, “Piano Man.”
Cold Spring Harbor (1971)
In 1971, Joel signed a solo recording contract with Family Productions and recorded his debut album, Cold Spring Harbor. The album was marred by a mastering error that made Joel’s voice sound slightly sped up and higher-pitched than intended. Despite this technical flaw, the album contained early versions of songs that would become staples of his live performances.
The Philadelphia Breakthrough
Frustrated with his contract and the botched debut, Joel moved to Los Angeles in 1972 to work as a lounge singer. During this period, a live recording of “Captain Jack” that Joel performed on a Philadelphia radio station became an underground hit, receiving significant airplay in the Philadelphia market. This unexpected success caught the attention of Columbia Records executives, who offered Joel a new recording contract in 1972 after he played a showcase for label head Clive Davis at the Mar-y-Sol Club in Puerto Rico.
Key Musical Influences
Classical Foundations
- Beethoven, Chopin, and Rachmaninoff (through his father’s influence)
- Nadia Boulanger’s teaching methods
Rock and Pop Influences
- The Beatles (primary influence)
- The Rolling Stones
- Ray Charles
- Otis Redding
- Motown artists
- British Invasion bands
Piano Influences
- Ray Charles
- Fats Domino
- Jerry Lee Lewis
- Little Richard
- Elton John (contemporary)
This diverse foundation would serve Joel well as he developed his signature style, blending Tin Pan Alley craftsmanship with rock energy and classical piano technique.
Billy Joel - Career & Discography
Studio Albums
Cold Spring Harbor (1971)
- Released: November 1, 1971
- Label: Family Productions
- Peak Chart Position: Did not chart (reached #158 on re-release)
- Notable Tracks: “She’s Got a Way,” “Tomorrow Is Today”
- Notes: Debut album with mastering issues that sped up Joel’s voice
Piano Man (1973)
- Released: November 9, 1973
- Label: Columbia Records
- Peak Chart Position: #27 (US Billboard 200)
- Certification: 4× Platinum (US)
- Notable Tracks:
- “Piano Man” (#25 US, signature song)
- “Captain Jack” (FM radio staple)
- “The Ballad of Billy the Kid”
- Notes: First Columbia album, established Joel’s storytelling style
Streetlife Serenade (1974)
- Released: October 11, 1974
- Label: Columbia
- Peak Chart Position: #35 (US)
- Certification: Gold
- Notable Tracks: “The Entertainer” (#34 US), “Streetlife Serenader”
- Notes: Written partially in Los Angeles while working as lounge singer
Turnstiles (1976)
- Released: May 19, 1976
- Label: Columbia
- Peak Chart Position: #122 (US, later reevaluated)
- Certification: Platinum
- Notable Tracks:
- “New York State of Mind” (became post-9/11 anthem)
- “Say Goodbye to Hollywood”
- “Miami 2017 (Seen the Lights Go Out on Broadway)”
- “Prelude/Angry Young Man”
- Notes: Joel returned to New York; marked shift toward rock band sound
The Stranger (1977)
- Released: September 29, 1977
- Label: Columbia
- Peak Chart Position: #2 (US Billboard 200)
- Certification: Diamond (10× Platinum, over 10 million US sales)
- Hit Singles:
- “Just the Way You Are” (#3 US, Grammy Winner)
- “Movin’ Out (Anthony’s Song)” (#17 US)
- “Only the Good Die Young” (#24 US)
- “She’s Always a Woman” (#17 US)
- Album Tracks: “Scenes from an Italian Restaurant,” “Vienna”
- Notes: Columbia’s best-selling album until Michael Jackson’s Thriller
52nd Street (1978)
- Released: October 11, 1978
- Label: Columbia
- Peak Chart Position: #1 (US Billboard 200) - First #1 album
- Certification: 7× Platinum
- Hit Singles:
- “Big Shot” (#14 US)
- “My Life” (#3 US)
- “Honesty” (#24 US)
- Notes: Won Grammy for Album of the Year (1979)
Glass Houses (1980)
- Released: March 12, 1980
- Label: Columbia
- Peak Chart Position: #1 (US)
- Certification: 7× Platinum
- Hit Singles:
- “You May Be Right” (#7 US)
- “It’s Still Rock and Roll to Me” (#1 US - First #1 single)
- “Don’t Ask Me Why” (#19 US)
- “Sometimes a Fantasy” (#36 US)
- Notes: Harder rock sound; won Grammy for Best Rock Vocal Performance
The Nylon Curtain (1982)
- Released: September 23, 1982
- Label: Columbia
- Peak Chart Position: #7 (US)
- Certification: 2× Platinum
- Hit Singles:
- “Pressure” (#20 US)
- “Allentown” (#17 US)
- Notable Tracks: “Goodnight Saigon,” “Laura,” “Where’s the Orchestra?”
- Notes: More ambitious lyrically and melodically; dealt with working-class struggles
An Innocent Man (1983)
- Released: August 8, 1983
- Label: Columbia
- Peak Chart Position: #4 (US)
- Certification: 7× Platinum
- Hit Singles:
- “Tell Her About It” (#1 US)
- “Uptown Girl” (#3 US)
- “An Innocent Man” (#10 US)
- “The Longest Time” (#14 US)
- “Leave a Tender Moment Alone” (#27 US)
- “Keeping the Faith” (#18 US)
- Notes: Homage to 1950s/60s pop styles; inspired by Joel’s then-girlfriend Christie Brinkley
The Bridge (1986)
- Released: July 29, 1986
- Label: Columbia
- Peak Chart Position: #7 (US)
- Certification: 2× Platinum
- Hit Singles:
- “Modern Woman” (#10 US)
- “This Is the Time” (#18 US)
- “A Matter of Trust” (#10 US)
- Notable Guests: Steve Winwood, Ray Charles (duet on “Baby Grand”)
- Notes: Featured collaborations with jazz and R&B artists
Storm Front (1989)
- Released: October 17, 1989
- Label: Columbia
- Peak Chart Position: #1 (US)
- Certification: 4× Platinum
- Hit Singles:
- “We Didn’t Start the Fire” (#1 US)
- “Leningrad” (promotional single)
- “I Go to Extremes” (#6 US)
- “The Downeaster ‘Alexa’” (FM radio hit)
- “And So It Goes”
- Notes: Album produced by Foreigner’s Mick Jones
River of Dreams (1993)
- Released: August 10, 1993
- Label: Columbia
- Peak Chart Position: #1 (US)
- Certification: 5× Platinum
- Hit Singles:
- “The River of Dreams” (#3 US)
- “All About Soul” (remix featuring Color Me Badd) (#29 US)
- “No Man’s Land”
- Notes: Final pop/rock studio album to date
Fantasies & Delusions (2001)
- Released: October 2, 2001
- Label: Sony Classical
- Peak Chart Position: #83 (US)
- Notes: Classical piano compositions; performed by Richard Hyung-ki Joo
Compilation Albums
Greatest Hits – Volume I & Volume II (1985)
- Released: June 1985
- Peak Chart Position: #6 (US)
- Certification: 23× Platinum (Diamond)
- Notes: One of the best-selling albums in US history with over 11.5 million copies sold
Greatest Hits Volume III (1997)
- Released: August 1997
- Features: New song “To Make You Feel My Love” (later covered by Garth Brooks and Adele)
The Ultimate Collection (2000)
- Released: Various international versions
Live Albums
- Songs in the Attic (1981) - Live recordings of early songs
- КОНЦЕРТ (1987) - Recorded in Soviet Union during historic 1987 tour
- 2000 Years: The Millennium Concert (2000)
- 12 Gardens Live (2006)
- Live at Shea Stadium: The Concert (2011)
Major Concert Tours
1970s–1980s Tours
- Streetlife Serenade Tour (1974)
- Turnstiles Tour (1976)
- The Stranger Tour (1977–1978)
- 52nd Street Tour (1978–1979)
- Glass Houses Tour (1980)
- The Nylon Curtain Tour (1982–1983)
- An Innocent Man Tour (1984) - Included first Madison Square Garden shows
- The Bridge Tour (1986–1987) - Featured historic concerts in Soviet Union
1990s–2000s Tours
- Storm Front Tour (1989–1991)
- River of Dreams Tour (1993–1994)
- Face to Face Tours (1994, 1995) - With Elton John
- 2000 Years Tour (1999–2000)
Recent Touring
- Face to Face Tours (2001, 2002, 2003, 2009, 2010) - With Elton John
- Solo tours (2005–2006, 2007–2008)
- Madison Square Garden Monthly Residency (2014–present)
- First music franchise in MSG history
- Over 150 shows and counting
- Grossed over $480 million in ticket sales
Chart Achievements
Billboard Hot 100 #1 Singles
- “It’s Still Rock and Roll to Me” (1980) - 2 weeks
- “Tell Her About It” (1983) - 1 week
- “We Didn’t Start the Fire” (1989) - 2 weeks
Billboard Hot 100 Top 10 Singles
- “Just the Way You Are” (#3, 1977)
- “My Life” (#3, 1978)
- “Uptown Girl” (#3, 1983)
- “The River of Dreams” (#3, 1993)
- “You May Be Right” (#7, 1980)
- “I Go to Extremes” (#6, 1990)
- “It’s Still Rock and Roll to Me” (#1, 1980)
- “Tell Her About It” (#1, 1983)
- “We Didn’t Start the Fire” (#1, 1989)
- “An Innocent Man” (#10, 1983)
- “A Matter of Trust” (#10, 1986)
- “Modern Woman” (#10, 1986)
Total US Chart Statistics
- 33 Top 40 hits on Billboard Hot 100
- 3 #1 singles
- 13 Top 10 singles
- 12 studio albums across 22 years (1971–1993)
Billy Joel - Major Achievements
Grammy Awards
Wins (6)
| Year | Category | Work |
|---|---|---|
| 1979 | Album of the Year | 52nd Street |
| 1979 | Best Pop Vocal Performance, Male | “Just the Way You Are” |
| 1980 | Best Rock Vocal Performance, Male | “Glass Houses” |
| 1981 | Best Rock Vocal Performance, Male | “It’s Still Rock and Roll to Me” |
| 1984 | Best Video Album | Billy Joel: Live from Long Island |
| 1991 | Best Pop Vocal Performance, Male | “We Didn’t Start the Fire” |
Notable Nominations (17 additional)
- Record of the Year nominations for “Just the Way You Are,” “Honesty,” and “We Didn’t Start the Fire”
- Song of the Year nominations for “Piano Man,” “Just the Way You Are,” and “We Didn’t Start the Fire”
- Album of the Year nominations for The Stranger, Glass Houses, and An Innocent Man
Hall of Fame Inductions
| Year | Institution | Notes |
|---|---|---|
| 1992 | Songwriters Hall of Fame | Recognized for exceptional songwriting |
| 1999 | Rock and Roll Hall of Fame | Inducted by Ray Charles |
| 2006 | Long Island Music Hall of Fame | Inaugural class inductee |
Other Major Awards
Kennedy Center Honors (2013)
- Received the prestigious honor for lifetime contribution to American culture through the performing arts
- Recognition of his impact on American music and songwriting
Johnny Mercer Award (2001)
- Presented by the Songwriters Hall of Fame
- Awarded for outstanding contribution to American popular music
ASCAP Awards
- Multiple ASCAP Pop Music Awards for most performed songs
- ASCAP Founders Award (2002)
American Music Awards
- Favorite Pop/Rock Male Artist (1979, 1981)
- Favorite Pop/Rock Album (An Innocent Man, 1984)
Sales Certifications and Records
RIAA Certifications
| Album | Certification | US Sales |
|---|---|---|
| Greatest Hits – Volume I & Volume II | 23× Platinum | 11.5+ million |
| The Stranger | Diamond (10× Platinum) | 10+ million |
| 52nd Street | 7× Platinum | 7+ million |
| An Innocent Man | 7× Platinum | 7+ million |
| Glass Houses | 7× Platinum | 7+ million |
| River of Dreams | 5× Platinum | 5+ million |
| Storm Front | 4× Platinum | 4+ million |
| Piano Man | 4× Platinum | 4+ million |
Global Sales Milestones
- Total Records Sold: Over 160 million worldwide
- US Album Sales: Over 82.5 million (RIAA certified)
- Ranking: Fourth best-selling solo artist in US history
- Ranking: Sixth best-selling album artist in the United States
Chart Records
- 33 Top 40 hits on Billboard Hot 100
- 3 #1 singles
- 13 Top 10 singles
- All 12 studio albums from 1971–1993 certified at least Gold
Historical Achievements
Madison Square Garden Records
- First music franchise in MSG history (2014)
- Monthly residency began January 27, 2014
- Extended indefinitely due to sold-out shows
- Over 150 performances in the residency
- Grossed over $480 million in ticket sales
Soviet Union Tour (1987)
- One of the first American rock artists to tour the Soviet Union
- Documented on live album КОНЦЕРТ
- Historic cultural exchange during Cold War era
Songwriting Recognition
- “Just the Way You Are” inducted into Grammy Hall of Fame (2004)
- “Piano Man” inducted into Grammy Hall of Fame (2013)
- Multiple songs included in various “Greatest Songs” lists by Rolling Stone and other publications
Film and Television
- Voice role in Disney’s Oliver & Company (1988) - performed “Why Should I Worry?”
- Contributed songs to multiple film soundtracks
- Emmy nomination for Billy Joel: Live from Long Island
Industry Impact
Influence Recognition
- Inspired generations of piano-based rock artists
- Cited as influence by artists including Elton John, Ben Folds, Sara Bareilles, and many others
- Maintained artistic control and ownership of publishing rights
Publishing Achievement
- Successfully bought back his publishing rights from various contracts
- Maintained control over his song catalog throughout career transitions
Recent Recognition (2010s–2020s)
- Library of Congress Gershwin Prize for Popular Song consideration
- Continued chart presence through streaming and catalog sales
- “We Didn’t Start the Fire” became viral sensation with new generations discovering the song
- “New York State of Mind” became unofficial anthem following September 11 attacks and continues to hold cultural significance
Estimated Career Earnings
- Estimated career earnings exceeding $500 million
- One of the highest-grossing touring artists in history
- Consistent sell-out performances for over five decades
Billy Joel - Technique & Style
Musical Style Overview
Billy Joel’s musical style represents a unique synthesis of classical piano training, rock and roll energy, and Tin Pan Alley songwriting craftsmanship. Often described as a “piano man” in the tradition of great American popular music entertainers, Joel created a distinctive sound that bridges multiple genres while maintaining a cohesive artistic identity.
Piano Playing Technique
Classical Foundation
Joel’s piano technique was built on years of classical training under his mother’s insistence. His playing demonstrates: - Strong left-hand patterns: Often using walking bass lines and rhythmic vamps - Dynamic control: Capable of both delicate ballad accompaniment and powerful rock piano - Arpeggiated accompaniment: Common in ballads like “Just the Way You Are” - Stride piano influence: Evident in songs like “Root Beer Rag” and “Angry Young Man”
Rock and Pop Integration
- Driving rhythm patterns: Songs like “You May Be Right” and “It’s Still Rock and Roll to Me” feature aggressive, propulsive piano
- Rhythmic displacement: Ability to shift between straight eighth-notes and syncopated patterns
- Orchestral approach: Uses piano to fill multiple roles—bass, chords, melody, and percussion
Signature Piano Techniques
- The “Joel bounce”: A rhythmic, syncopated left-hand pattern heard in “Piano Man” and “The Entertainer”
- Octave doubling: Melody lines frequently doubled in octaves for emphasis
- Ascending runs: Dramatic build-ups using ascending arpeggios and scales
- Staccato attacks: Sharp, detached notes for rhythmic emphasis
Songwriting Approach
Narrative Songwriting
Joel is renowned for his storytelling ability, creating: - Character studies: “Piano Man,” “The Ballad of Billy the Kid,” “Movin’ Out” - Scene-setting: Detailed geographic and social settings (“Allentown,” “New York State of Mind”) - Emotional journeys: Songs that take listeners through complete emotional arcs
Lyrical Themes
Working-Class Life
- “Allentown” - Deindustrialization and economic struggle
- “The Downeaster ‘Alexa’” - Hardships of commercial fishermen
- “Allentown” resonated with Rust Belt communities
Love and Relationships
- Romantic devotion: “Just the Way You Are,” “She’s Always a Woman”
- Relationship struggles: “Scenes from an Italian Restaurant,” “And So It Goes”
- Young love: “Uptown Girl,” “This Is the Time”
Historical and Social Commentary
- “We Didn’t Start the Fire” - Rapid-fire historical timeline (1949–1989)
- “Goodnight Saigon” - Vietnam War perspective
- “Leningrad” - Cold War cultural exchange
Personal Reflection
- Career commentary: “The Entertainer,” “Pressure”
- Aging and mortality: “Vienna,” “Summer, Highland Falls”
Melodic Construction
- Tin Pan Alley influence: Strong emphasis on memorable, singable melodies
- Range exploration: Melodies often span an octave or more
- Call-and-response: Verse-chorus structures with contrasting melodic material
- Modulation: Strategic key changes for emotional impact (“And So It Goes” descends through multiple keys)
Vocal Approach
Vocal Range and Character
- Range: Baritone with tenor capabilities
- Timbre: Clear, unaffected delivery with slight nasality
- Phrasing: Conversational, natural rhythm following speech patterns
- Dynamic variation: Capable of both intimate whisper and powerful belt
Vocal Evolution
- Early 1970s: Rawer, more aggressive rock vocal
- Late 1970s–1980s: Smoother, more controlled pop delivery
- 1990s–2000s: Slight deepening and rasp with age
- Live performances: Known for maintaining vocal quality across lengthy concerts
Harmonica Playing
- Self-taught harmonica player
- Featured prominently on “Piano Man” and other early songs
- Adds folk/authentic texture to storytelling songs
Stylistic Evolution
The Early Years (1971–1974)
- Sound: Piano-driven singer-songwriter with folk and rock influences
- Key characteristics: Introspective lyrics, acoustic-based arrangements
- Albums: Cold Spring Harbor, Piano Man, Streetlife Serenade
The Breakthrough Era (1976–1980)
- Sound: Full band arrangements, polished production
- Key characteristics: Jazz-influenced harmonies, sophisticated arrangements
- Albums: Turnstiles, The Stranger, 52nd Street, Glass Houses
- Evolution: Transition from solo piano artist to rock bandleader
The Mature Period (1980–1986)
- Sound: Diverse genre exploration
- Key characteristics: Conceptual albums, genre experiments
- Albums: The Nylon Curtain (ambitious), An Innocent Man (retro)
- Notable: An Innocent Man paid homage to doo-wop, R&B, and Motown
The Later Studio Years (1989–1993)
- Sound: Arena rock, contemporary production
- Key characteristics: Direct, accessible songwriting
- Albums: Storm Front, River of Dreams
Instrumentation and Arrangement
Band Configuration
- Core: Piano/lead vocals, bass, drums, guitar
- Horn section: Frequently employed (especially 1976–1986)
- String arrangements: Used effectively on ballads
Production Evolution
- Philosophy: Capturing live energy in studio
- Early albums: More organic, band-in-a-room approach
- Later albums: Incorporating contemporary technology while maintaining human feel
- Self-production: Joel produced Cold Spring Harbor and co-produced most later albums
Genre Blending
Joel successfully incorporated elements of: - Classical: Piano technique and compositional structure - Jazz: Harmonic sophistication and swing rhythms - Rock: Energy and attitude - Pop: Melodic accessibility - R&B/Soul: Groove and feel - Latin: Occasional rhythmic influences
Performance Style
Live Performance Characteristics
- Duration: Known for marathon concerts often exceeding 3 hours
- Setlist variety: Deep cuts mixed with hits, frequently changing from show to show
- Audience interaction: Conversational between songs, acknowledging requests
- Piano focus: Remains seated at piano for majority of performances
Stage Presence
- Approachable, “everyman” persona
- Self-deprecating humor
- Connection with working-class audience identity
- Minimal choreography or theatrical effects
Legacy as a Stylist
Billy Joel’s style represents the culmination of the American piano man tradition—following artists like Ray Charles, Jerry Lee Lewis, and Elton John—while maintaining a distinctively personal voice. His commitment to songwriting craft, combined with virtuosic piano abilities and relatable storytelling, created a template for the modern piano-based rock artist that continues to influence musicians across genres.
Billy Joel - Personal Life
Marriages and Relationships
Elizabeth Weber (1973–1982)
Billy Joel’s first wife was Elizabeth Weber Small, whom he married on September 5, 1973. Their relationship began controversially—Elizabeth was married to Joel’s Attila bandmate Jon Small when she and Joel began their affair, which effectively ended the band.
Elizabeth became Joel’s manager and played a significant role in his early career success. She was known for her tough business approach and helped Joel navigate his early recording contracts. However, their marriage ended in divorce in 1982, reportedly due to Elizabeth’s complicated financial management and Joel’s growing fame pressures.
Several songs were inspired by this relationship: - “She’s Got a Way” (early admiration) - “She’s Always a Woman” (complexity of their relationship)
Christie Brinkley (1985–1994)
Joel married supermodel Christie Brinkley on March 23, 1985, on a yacht docked alongside the Statue of Liberty. Their relationship was highly publicized and made them one of the most famous celebrity couples of the 1980s.
Child: - Alexa Ray Joel (born December 29, 1985) - Named after Ray Charles and the character Alexa from An Innocent Man album - Alexa followed in her father’s footsteps as a singer-songwriter and pianist
The marriage inspired much of the An Innocent Man album, with “Uptown Girl” famously being written about Brinkley. However, the pressures of their high-profile careers and Joel’s touring schedule contributed to their eventual divorce in August 1994.
Katie Lee (2004–2009)
Joel married television personality and chef Katie Lee on October 2, 2004, at Joel’s estate in Oyster Bay. There was a significant age difference—Joel was 55 and Lee was 23. The couple resided in New York but announced their separation in June 2009, with the divorce finalized later that year.
Alexis Roderick (2015–present)
Joel married Alexis Roderick, a former Morgan Stanley executive, on July 4, 2015, in a surprise ceremony at Joel’s Oyster Bay estate. The wedding was officiated by New York Governor Andrew Cuomo during their annual Independence Day party.
Children: - Della Rose Joel (born August 12, 2015) - Born weeks after the wedding - Remy Anne Joel (born October 22, 2017)
Family Background
Parents
- Howard Joel: Classical pianist who studied under Nadia Boulanger; left the family when Billy was eight and started a new family in Vienna, Austria
- Rosalind Nyman Joel: Born in England to an agnostic Jewish family; insisted on Billy’s piano lessons
Siblings
- Judy Joel: Adopted cousin who became his sister
- Alexander Joel: Half-brother from his father’s second marriage; became a conductor in Europe
Grandfather
- Karl Amson Joel: German-Jewish businessman who fled Nazi Germany
Homes and Properties
Joel has maintained residences primarily in New York: - Oyster Bay, Long Island: Primary estate where he resides with his current family - New York City: Former Manhattan residences - Sag Harbor: Hamptons property sold in 2020s - Miami: Has owned various Florida properties
Joel is known for his love of motorcycles and has an extensive collection.
Health Issues
Depression
Joel has been open about his struggles with depression throughout his life. He attempted suicide in 1970 by drinking furniture polish during a low point after the breakup of Attila and his relationship with Elizabeth Weber. This period inspired the song “Tomorrow Is Today.”
Alcohol and Substance Issues
Joel has acknowledged struggles with alcohol, though he has generally managed to avoid the public scandals that affected many of his contemporaries. He entered the Betty Ford Center for treatment in 2002 and again in 2005.
Recent Health (2020s)
In 2022, Joel underwent hip replacement surgery, which temporarily affected his mobility but from which he successfully recovered. He has continued performing with adjustments to his stage setup.
Neurological Condition
Joel was born with a congenital condition affecting his hands that required multiple surgeries as a child. Some biographers have suggested this contributed to his determination to master piano despite physical challenges.
Political Views and Activism
Political Philosophy
Joel generally identifies as a liberal Democrat but has avoided heavy partisan involvement. His songs occasionally touch on social issues, though he typically avoids overtly political statements.
Support for Causes
- September 11 Response: Performed benefit concerts and “New York State of Mind” became an unofficial recovery anthem
- Maritime Causes: Strong supporter of commercial fishermen through the charity The Downeaster ‘Alexa’ Foundation
- Education: Supporter of music education programs
Environmental Concerns
“The Downeaster ‘Alexa’” highlighted the struggles of Long Island fishermen, and Joel has remained supportive of fishing industry causes.
Philanthropy and Charitable Work
The Billy Joel Fund
Supports various educational and cultural institutions, particularly on Long Island.
Music Education
- Advocate for music education in public schools
- Supporter of various music programs and scholarships
Other Causes
- Support for September 11 first responders and families
- Long Island-based charitable organizations
- Occasional benefit performances for various causes
Controversies and Legal Issues
Financial Disputes
Joel had a highly publicized lawsuit against his former manager and brother-in-law Frank Weber (Elizabeth’s brother), alleging fraud and mismanagement of millions of dollars. The lawsuit was settled in 1990 for an undisclosed amount.
Automobile Incidents
Joel has had several well-publicized automobile accidents, including: - Multiple incidents involving his car collection - Some incidents resulted in property damage and minor injuries - Generally attributed to enthusiasm for cars rather than substance abuse
Relationships with Media
Joel has maintained a generally positive relationship with media, known for being approachable and quotable. However, he has been protective of his family’s privacy, particularly regarding his children.
Personal Interests and Hobbies
Motorcycle Collection
Joel is an avid motorcycle enthusiast with an extensive collection of vintage and modern bikes. He has participated in charity motorcycle rides.
Boating
Longtime boat owner; “The Downeaster ‘Alexa’” was inspired by his experiences with commercial fishing boats.
Sports
- Boxing: Trained in boxing as a young man
- New York sports fan: Follows local teams, occasionally references sports in songs
Art and Literature
Joel has expressed interest in visual arts and maintains an extensive personal library. His songwriting demonstrates broad literary influences.
Relationship with Fans
Joel is known for his strong connection with fans, maintaining accessibility through: - Responding to fan mail and requests - Informal meet-and-greets - Acknowledging long-time supporters at concerts - Preserving ticket prices at reasonable levels for MSG residency shows
His “regular guy” persona, despite enormous wealth and fame, has contributed to his enduring popularity across multiple generations.
Billy Joel - Legacy
Cultural Impact
The “Piano Man” Persona
Billy Joel’s identification as the “Piano Man” transcended being merely a hit song—it became a permanent part of American cultural vocabulary. The term now broadly refers to any piano-playing entertainer in a bar or lounge setting, but Joel’s embodiment of the working-class musician who understands his audience’s struggles created an enduring archetype.
Voice of the Working Class
Joel’s songs gave voice to working-class experiences in ways that resonated across demographic lines: - “Allentown” became an anthem for deindustrialization - “The Downeaster ‘Alexa’” highlighted maritime struggles - “Movin’ Out” captured aspirational working-class dreams
His ability to write specifically about places and experiences while maintaining universal appeal created a catalog that feels both personal and broadly relatable.
Influence on Other Artists
Direct Musical Descendants
Numerous artists cite Joel as a primary influence: - Ben Folds: Expanded the piano-rock tradition with more experimental approach - Sara Bareilles: Piano-based storytelling in the Joel tradition - Adele: Has covered “Lovesong” and cited Joel as influence - Ed Sheeran: Acknowledged Joel’s songwriting influence
Genre Impact
- Helped legitimize piano as a lead rock instrument in the 1970s–80s
- Demonstrated that sophisticated songwriting could succeed in mainstream pop
- Bridged gaps between Tin Pan Alley craft and rock authenticity
Historical Significance
Post-9/11 Symbolism
Following the September 11, 2001 attacks, “New York State of Mind” took on renewed significance as an unofficial anthem of resilience and hometown pride. Joel performed the song at various benefit concerts, and it became a staple at memorial services and sporting events in New York.
Cold War Cultural Exchange
Joel’s 1987 tour of the Soviet Union was among the first by a major American rock artist and represented an important cultural exchange during the Cold War’s final years. The tour demonstrated music’s power to bridge political divides.
Madison Square Garden Legacy
Joel’s monthly residency at Madison Square Garden, beginning in 2014, established a new model for artist residency in major venues. As MSG’s first music franchise, it demonstrated that catalog artists could maintain commercial viability through strategic residency models rather than traditional touring.
Critical Reassessment
Initial Critical Reception
Early in his career, Joel faced skepticism from some rock critics who viewed his polished pop approach as insufficiently “authentic” compared to punk and new wave contemporaries. His Tin Pan Alley influences and melodic accessibility were sometimes dismissed as overly commercial.
Later Recognition
Over time, critical consensus shifted: - Recognition of his exceptional songwriting craft - Appreciation for his piano virtuosity - Acknowledgment of his influence on subsequent generations - His Kennedy Center Honors (2013) represented institutional recognition of his cultural contributions
Songwriting Craft
Musicologists and scholars have increasingly studied Joel’s work for: - Harmonic sophistication - Melodic construction - Narrative technique - Integration of classical training with popular forms
Chart and Commercial Legacy
Sales Milestones
- One of only a handful of artists with multiple Diamond-certified albums
- Greatest Hits – Volume I & Volume II remains one of the best-selling albums in US history
- Consistent catalog sales across decades
Chart Records
- 33 Top 40 hits rank among the most for any solo artist
- Three #1 singles across different stylistic periods
- Sustained chart presence from 1973–1993 (20 years)
Streaming Era Success
Joel’s catalog has maintained relevance in the streaming era: - Consistent presence on classic rock playlists - Discovery by younger audiences through streaming platforms - “We Didn’t Start the Fire” periodic viral resurgence (historical references inspire social media interest)
Awards and Institutional Recognition
Hall of Fame Status
- Rock and Roll Hall of Fame (1999): Inducted by Ray Charles, recognizing his contribution to American popular music
- Songwriters Hall of Fame (1992): Acknowledgment of exceptional songwriting
- Long Island Music Hall of Fame (2006): Recognition of regional impact
Major Honors
- Kennedy Center Honors (2013): One of the most prestigious recognitions for American artists
- Johnny Mercer Award (2001): For lifetime contribution to American song
Long Island Identity
Joel’s impact on Long Island’s cultural identity cannot be overstated: - References to specific locations created geographic pride - “The Downeaster ‘Alexa’” supported local fishing communities - Regular presence in local venues and community events - Subject of local pride and tourism interest
Educational Impact
Joel’s work is frequently studied in: - Music business programs (career management lessons) - Songwriting courses (narrative techniques) - Music theory classes (harmonic analysis) - American Studies programs (cultural documentation)
Tributes and Covers
Notable Covers
- “New York State of Mind” covered by Barbra Streisand, Frank Sinatra, and countless others
- “Just the Way You Are” became a wedding standard
- “Piano Man” covered by artists across genres
- “Uptown Girl” famously covered by Westlife (Irish boy band)
Tribute Albums and Concerts
- Multiple tribute albums by various artists
- Regular tribute concerts on Long Island and beyond
- Broadway and theatrical adaptations of his catalog
“We Didn’t Start the Fire” as Historical Document
The song’s unique structure—rapid-fire references to historical events from 1949–1989—has made it a teaching tool in history classes. Despite Joel’s dismissal of the song as merely “a melody with words,” its educational value and cultural footprint have given it significance beyond its musical merits.
The Future of His Legacy
Catalog Management
Joel’s catalog remains valuable intellectual property: - Consistent licensing for film, television, and commercials - Musical theater potential (multiple attempts at jukebox musicals) - Continued relevance through streaming
Generational Transfer
Joel’s music has successfully transferred across generations: - Parents introducing children to his catalog - Discovery through films and television - “Piano Man” as universal reference point
Live Performance Legacy
Joel’s commitment to live performance across six decades establishes a model for artist longevity: - Maintaining performance quality over time - Residency model innovation - Fan relationship maintenance
Summary Assessment
Billy Joel’s legacy rests on several pillars: 1. Exceptional Songwriting: Melodic and lyrical craft that transcends era 2. Piano Virtuosity: Technical mastery combined with popular accessibility 3. Cultural Documentation: Songs that captured specific times and places 4. Commercial Success: Sustained popularity across decades 5. Live Performance Excellence: Model for artist-fan relationship
While debates about artistic significance may continue, Joel’s impact on American popular music is undeniable. He represents the successful integration of classical training, popular appeal, and songwriting craftsmanship—a combination that remains influential and aspirational for musicians across genres.